“Lobster Island”, a collaboration with Loris S Sarid from his debut album “Seabed-Sunbath” | 2022 | GUEST VOCAL
“ERSTENS.) | Tatraum Projekte Schmidt | Cologne, DE | January 2020 | SOUND DESIGN
Edinburgh Art Festival : Pauline & the Matches | Custom Lane, Edinburgh | August 2017 | VOICE/GUITAR/VIOLIN
Hablik by Simón Ortega – music by Ceylan Hay and Dr Graeme Wilson| January 2018 | COMPOSITION / GLASS INSTRUMENTATION
Learn2Dance | Beacon Arts Centre, Greenock | February 2018 | VIOLIN
“Stones, Clouds” Concurrents #2, January 2017, with Emma Bowen, Christian Ferlaino, Cath Keay, Una MacGlone, Simón Ortega, Mike Parr-Burman | LYRE/RADIO
Minerva Scientifica commission, written in response to the research into listeria life cycles by microbiologist Dr Clare Taylor, 2017 | COMPOSITION & TEXT / NARRATION / INSTRUMENTATION
Glasgow International Festival of Visual Art 2018: ”The Faceless Enemy of Me, Sits in the Squares” by Bobby Sayers | VIOLIN & COMPOSITION
Glasgow Improvisers Orchestra with Phil Minton, June 2017, Glasgow Jazz Festival || VOICE/VIOLIN/WHISTLES
“MASTER ROCK” by Maria Fusco, commissioned by Artangel/BBC Radio 4, October 2015 | VOICE
GLASGOW INTERNATIONAL FESTIVAL OF VISUAL ART 2012: High-Slack-Low-Slack-High, with John Cavanagh and Gayle Brogan, Clydeport Authority Building / Riverside Transport Museum | VOICE
Golden Ghost, “Eudaimonia”, Epiphysis Foundation, 2011. On tracks 1, 2, 3, 5, 6, 8, 12 | VOICE
“Circle, Cycle” by The Great Auk Collective | UNFIX Festival of Performance Art & Ecology, Centre for Contemporary Arts | Glasgow UK | in collaboration with Svenja Meyerricks, Gayle Brogan and Luke Devlin | LYRE / SPOKEN WORD
“Women’s Whispers” by Meray Diner | NARRATION
Viking Moses / Sam Goodwill “Clown School/Oxygen”, Song By Toad 2017 | VOICE
Singing Moondogs | Balkanarama @ The Caves | Edinburgh, UK, 2017 | VOICE
Daniel Padden and friends, Old Hairdressers, Glasgow in March 2013 | VOICE
Recording with LT Leif & Gaze is Ghost,2017 |Song, By Toad | Edinburgh, UK
Sir Plastic Crimewave | Henrys Cellar Bar | Edinburgh, 2017 | SPOKEN WORD
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